• Contact
  • Privacy Policy
  • Terms and Conditions
My Art Investor
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art
Artists

Shrewsbury Folk Festival names first artists for 2026

November 14, 2025 2 Mins Read


Shrewsbury Folk Festival has released the first names on its 2026 bill following this year’s record-breaking event that saw a sell-out of weekend tickets weeks ahead of the August Bank Holiday festival.

Shrewsbury is now the country’s leading folk festival with an international reputation attracting bands and festivalgoers from across the world
Shrewsbury is now the country’s leading folk festival with an international reputation attracting bands and festivalgoers from across the world

The initial line-up promises an unmissable celebration of folk and roots music over the four-day festival from August 28th to August 31st with more headliners and artists still to be announced.

Leading the bill is one of Britain’s most enduring songwriters and guitarists, Andy Fairweather Low with his band The Low Riders.

Shrewsbury will also host the only festival show of 2026 for Ferocious Dog featuring The Celtic Folk Orchestra before the band bows out of performing. Also appearing will be acclaimed Irish singer Cara Dillon, whose pure voice and heartfelt songs have captivated audiences worldwide.

In addition, the line-up features the newly formed Steve Knightley & The Winter Yards Band, Slambovian Circus of Dreams (USA), Dustbowl Revival (USA), Steve Knightley (solo), Chris Wood, Man The Lifeboats, Kerr Fagan, Thunder and Rain (USA), Cable Street Collective, Sãwol, Ballads and Songs: Sam Carter sings Nic Jones, Taff Rapids, The Lost Notes, Daisy Chute, Jess Silk, Three Idle Women, The Rusty Tubs, The Gleaves and Shane’s Singo Bingo.

Shrewsbury is now the country’s leading folk festival with an international reputation attracting bands and festivalgoers from across the world. Held on the riverside West Mid Showground close to the town centre, it has four stages and a dance tent, workshops and sessions and a huge range of activities for children and young people within their own dedicated festivals. There’s also a 

craft and music fair, six real ale and cocktail bars and an extensive food village. 

Director Sandra Surtees said: “This first tranche of names promises the festival’s usual eclectic mix of traditional and contemporary folk music and Americana with many more artists and exciting headliners still to come including world musicians. We always aim to programme a variety of acts across every concert and every stage so each day offers something for everyone to enjoy. We’ll be revealing more artists early next year along with an exciting line-up of dance bands.”

She added: “Ticket sales are already well ahead of this year when we sold out of weekend tickets six weeks before the festival. We also had record numbers of day visitors in 2025, smashing our previous daily totals on each of the four days so, as ever, our advice is to book as soon as possible to guarantee your place at the party especially if you want to come for all four days. We only have a limited number of camping tickets and when they’re gone, they’re gone!” 

Day and weekend tickets are on sale at shrewsburyfolkfestival.co.uk, starting from £48.50 with a payment plan available so visitors can spread the cost over up to nine months. 





Source link

Share Article

Other Articles

Previous

Artprice launches Artprice News, the world’s first news agency entirely dedicated to art and its market, available in 11 languages and 122 countries, with Cision PR Newswire and Perplexity AI

Next

TikTok launches ‘bulletin board’ broadcast channel feature for artists and creators

Next
November 14, 2025

TikTok launches ‘bulletin board’ broadcast channel feature for artists and creators

Previous
November 13, 2025

Artprice launches Artprice News, the world’s first news agency entirely dedicated to art and its market, available in 11 languages and 122 countries, with Cision PR Newswire and Perplexity AI

No Comment! Be the first one.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recent Posts

“He was recovering from a broken jaw and was suffering chronic pain, but he was determined to endure”: How an ailing country icon made one of music’s greatest comebacks – with help from Rick Rubin, Tom Waits and Glenn Danzig – Louder
January 17, 2026

“He was recovering from a broken jaw and was suffering chronic pain, but he was determined to...

“As we were leaving, Keith handed me this 1964 Gibson Hummingbird acoustic. ‘That’s not mine,’ I said. He said, ‘It is now. It’s yours’”: The incredible story of the cult British rock’n’rollers who happen to be one of Keith Richards’ favourite bands – Louder
January 17, 2026

“As we were leaving, Keith handed me this 1964 Gibson Hummingbird acoustic. ‘That’s not mine,’ I...

Joburg gig guide – Fine arts, live music and a thrift market
January 16, 2026

(This article first appeared as a Johannesburg newsletter. Subscribe here.) Kufunga naMavara (To...

“Pretty sure that's the SexyBack snare. Timbaland, thank you": Producer Ryan Tedder on the classic Justin Timberlake drum sound he used in Tate McRae's Greedy – and the Omnisphere preset that features throughout – MusicRadar
January 16, 2026

“Pretty sure that’s the SexyBack snare. Timbaland, thank you”: Producer Ryan Tedder on...

"The police and the army were all carrying guns. There was a real edginess to it all." How a "feral" Ozzy Osbourne crowd, an onstage meltdown, and some ill-advised nudity on live TV sparked a police manhunt for a British rock star in South America – Louder
January 16, 2026

“The police and the army were all carrying guns. There was a real edginess to it all.”...

Related Posts

“He was recovering from a broken jaw and was suffering chronic pain, but he was determined to endure”: How an ailing country icon made one of music’s greatest comebacks – with help from Rick Rubin, Tom Waits and Glenn Danzig – Louder

January 17, 2026

“He was recovering from a broken jaw and was suffering chronic pain, but he was determined to...

“As we were leaving, Keith handed me this 1964 Gibson Hummingbird acoustic. ‘That’s not mine,’ I said. He said, ‘It is now. It’s yours’”: The incredible story of the cult British rock’n’rollers who happen to be one of Keith Richards’ favourite bands – Louder

January 17, 2026

“As we were leaving, Keith handed me this 1964 Gibson Hummingbird acoustic. ‘That’s not mine,’ I...

“Pretty sure that's the SexyBack snare. Timbaland, thank you": Producer Ryan Tedder on the classic Justin Timberlake drum sound he used in Tate McRae's Greedy – and the Omnisphere preset that features throughout – MusicRadar

January 16, 2026

“Pretty sure that’s the SexyBack snare. Timbaland, thank you”: Producer Ryan Tedder on...

"The police and the army were all carrying guns. There was a real edginess to it all." How a "feral" Ozzy Osbourne crowd, an onstage meltdown, and some ill-advised nudity on live TV sparked a police manhunt for a British rock star in South America – Louder

January 16, 2026

“The police and the army were all carrying guns. There was a real edginess to it all.”...

© 2024, My Art Investor, All Rights Reserved.

  • Contact
  • Privacy Policy
  • Terms and Conditions
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art