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At the other end of the experiential spectrum (pun intended), ExtraOrdinary! demonstrates how magnitude can yield an audible, physical presence. Zimoun’s 405 prepared dc motors, cotton balls, cardboard boxes 46x46x46 creates a wall of sound, as its title signals, with cotton balls and cardboard boxes. Small motors that originally wound up window shades send the cotton balls on a tight back-and-forth arc lighty pounding against the empty cubes. Together the 405 drums create a chamber of deep tectonic rumbling.
If one half of the show is about experiments in scale, the other half is about the kind of alchemy artists achieve with everyday materials, taking recognizable things and turning them, convincingly, into something completely different.
The most stunning of these is Kumi Yamashita’s Building Blocks, a simple wall installation of custom-made wooden blocks — the arches, cylinders and cubes used to build imaginary cities — that, when arranged and lit just so, create a child’s silhouette. The entire display evokes a near magical feeling: hard edges become the soft curves of a face, 3D abstract objects morph into an immediately recognizable 2D thing.
Similar transmutations take place in Caitlind r.c. Brown and Wayne Garrett’s CLOUD (light bulbs become a lightning-filled storm cloud) and Ekow Nimako’s Building Black Mythos: DIVINITIES (ordinary Lego bricks become figures from African mythology).
But it’s Willie Cole’s Masks that are the most fun of the “transformation” bunch. The artist takes shoes found in thrift stores and reassembles them into charismatic, dragon-like masks. As you look at them, Cole’s sculptures play a delightful perceptual game, bouncing back and forth between individual parts and their new identity as a whole.
In true Exploratorium fashion, ExtraOrdinary! also extends into hands-on activities in the museum’s Pop-Up Workshop. In collaboration with Community Science Workshops, visitors can make their own mini, DIY versions of popular Exploratorium exhibits (including a variation on Ned Kahn’s Cloud Rings) using low-cost materials. These instructions are also available online.
Artists know there is no such thing as an “off-limit” material in the realm of visual art. Food, earth, animals, their own bodies — it’s all fair game when it comes to expression. But most visitors to the Exploratorium, especially the youngest of the bunch, may think of art as a block of time in their school day, one that involves pencils, paint and paper. ExtraOrdinary! is an introduction to the vast artistic possibilities inherent in even the most commonplace stuff, and an invitation to start thinking of that stuff in a different, transformative way.
‘ExtraOrdinary!’ in on view at the Exploratorium (Pier 15, San Francisco) through Sept. 8, 2024.
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