Crystal Palace Artists’ Open House returns for its fifth year – Southwark News
For two weekends this autumn, the Crystal Palace Artist’s Open House will once again scatter colour across South East London with more than creatives opening their doors to the public, writes Emily Driver…
Over thirty venues will be transformed into buzzing artistic hubs, from The Paxton Centre to Coopers Yard and Gipsy Hill Studios. Visitors are promised the full spectrum of media – ceramics, textiles, jewellery, oil paint, experimental film – and the rare chance to buy or commission pieces directly from the artists themselves.
The fifth anniversary of the Open House promises to be its most ambitious celebration of South East London’s creative spirit yet.
A month-long preview exhibition at The Paxton Centre showcases a piece by each of the fifty-five participating artists. Artist-led workshops are also on offer, including: portrait masterclasses with 2025 Emerging Artist recipient, Jonny Kemp, and oil-on-glass animation sessions with award-winning artist and educator, Leo Crane of Figuration, among others.

The 2025 Open House also renews its commitment to platforming new voices. This year’s emerging artist is Luka Gille, known artistically as Pinkwolf, a self-taught photographer whose work wrestles with identity, masculinity, and resilience. Supported with exhibition space, a studio residency, and mentorship, Gille joins a roster that includes Luana Asiata, twice shortlisted for the Royal Academy Summer Exhibition and Caron Clarke, a former Portrait Artist of the Year contestant.
A spokesperson has said: “Now in its fifth year, the Crystal Palace Artists’ Open House continues to be a vibrant celebration of the creative process.” Last year the event welcomed more than 1,200 visitors. This year they’re expecting even more art lovers, design enthusiasts and curious wanderers.
Saturday 28 & Sunday 29 September
Saturday 4 & Sunday 5 October
10am – 5pm
No booking needed.
For more information, visit crystalpalaceartistopenhouse.co.uk
Image credit: Rosanna Knight
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