• Contact
  • Privacy Policy
  • Terms and Conditions
My Art Investor
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art
Artwork

Australia’s most expensive public artwork has been unveiled at the National Gallery in Canberra

October 25, 2024 2 Mins Read


“Larger-than-life” is one way to describe the National Gallery of Australia’s (NGA) latest and most expensive artwork, which was finally unveiled in Canberra after an exhilarating three-year wait.

Titled ‘Ouroboros’, this spectacular $14 million masterpiece was commissioned to celebrate the NGA’s 40th anniversary in 2022 and took more than 60,000 hours to bring to life. The visionary behind it all is Chinese-Australian artist Lindy Lee, who fabricated the immersive sculpture in Brisbane with the help of more than 200 art specialists.

Aerial view of snake shaped art over pond
Photograph: Supplied | National Gallery of Australia | ‘Ouroboros’ by Lindy Lee, 2021-24, National Gallery of Australia

Suspended over a shallow pond in the NGA’s public Sculpture Garden, this impressive 13-tonne sculpture is Lee’s most ambitious and complex work to date. It also stands tall – 4.2 metres high, to be precise – as one of the nation’s first sustainable public artworks, made from recycled scrap metal sourced exclusively in Australia.

‘Ouroboros’ is the most recent addition to Lee’s decade-long series of large-scale reflective sculptures titled The Life of Stars. Inspired by the ancient tale of the same name, the artwork symbolises a self-eating snake, embodying themes of birth, death and renewal in Chinese culture.

Snake shaped sculpture reflecting lights at night
Photograph: Martin Ollman | ‘Ouroboros’ by Lindy Lee, 2021-24, National Gallery of Australia

By day, the shiny stainless steel sculpture reflects the imagery of the floating world. At night, visitors – limited to two at a time – can step inside the snake’s ‘mouth’ to immerse themselves in the darkness that is illuminated by light beams radiating from 45,000 small perforations on its mirrored surface.

Throughout the three-year design process, Lee collaborated with Ngunnawal Elder Aunty Jude Barlow to honour and integrate local First Nations knowledge into the immersive installation. They identified strong links between the symbol of the ouroboros and the rainbow serpent, with the sculpture’s placement in water celebrating ties between the two cultures.

Lindy Lee posed in front of reflective scultpure
Photograph: Martin Ollman | ‘Ouroboros’ by Lindy Lee, 2021-24, National Gallery of Australia

In conjunction with the unveiling of Lee’s latest masterpiece, the NGA has launched a retrospective showcasing artistic highlights from the Chinese-Australian artist’s 40-year colourful career. ‘Lindy Lee’ is free to explore at the NGA from October 25, 2024 to June 1, 2025, while ‘Ouroboros’ will greet visitors at the gallery entrance for generations to come. You can find out more about ‘Ouroboros’ here.

Stay in the loop: sign up for our free Time Out Australia newsletter for more news, travel inspo and activity ideas, straight to your inbox. 

RECOMMENDED:



Source link

Share Article

Other Articles

Previous

what is the role of artists in crowd behaviour?

Next

Fine Art Student Exhibit “Femininity & Fragility In Flesh” Opening At SAU

Next
October 25, 2024

Fine Art Student Exhibit “Femininity & Fragility In Flesh” Opening At SAU

Previous
October 25, 2024

what is the role of artists in crowd behaviour?

No Comment! Be the first one.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recent Posts

“It has a super catchy riff, but it is a song that you have to hear a few times. I don’t think it would’ve been given the time of day without the enormous impact of the video”: How to recreate one of the most infectious synth riffs of all time – MusicRadar
April 12, 2026

“It has a super catchy riff, but it is a song that you have to hear a few times. I don’t think it...

Artists invite visitors into their workplaces for York Open Studios 2026
April 11, 2026

Ceramicist Danny Aitken at work in his studio. Picture: Olivia Brabbs Published 12th Apr 2026,...

Spotify RADAR artist Waiian wears his heart on his sleeve WATCH: Waiian is making space for softness in the Filipino hip-hop scene, and he’s doing so unapologetically. Here’s why the rapper doesn’t shy away from opening up in the lyrics he writes. #Spotify – facebook.com
April 11, 2026

Spotify RADAR artist Waiian wears his heart on his sleeve WATCH: Waiian is making space for...

“It was the way for me to learn to approach the guitar a different way, because Jeff Beck was not an early influence”: Robben Ford on rearranging John Lennon, iconic collaborations and paying tribute to Jeff Beck and amp guru Alexander Dumble – MusicRadar
April 11, 2026

“It was the way for me to learn to approach the guitar a different way, because Jeff Beck was not...

This is the story behind the Howard graffiti tag that covered Manchester. Artist Ben Daye has admitted being the instigator behind the trend. #news #manchester #howard #manchesterevenningnews – facebook.com
April 11, 2026

This is the story behind the Howard graffiti tag that covered Manchester. Artist Ben Daye has...

Related Posts

Thousands see illuminated ‘Helios’ sun artwork in Dorset

April 10, 2026

Over a period of just ten days, the installation drew crowds from across the UK, with visitors...

Artist Wallace Woo Formally Defines "Geological Abstractionism" and "Stalactite Aesthetics" Through New Global Manifesto #WallaceWoo #StalactiteAesthetics #GeologicalAbstractionism #innerGeology #ContemporaryArt #AbstractExpressionism #ISBN9789 – Media OutReach Newswire

April 10, 2026

Artist Wallace Woo Formally Defines “Geological Abstractionism” and “Stalactite...

#PressPlay: #DaBaby took to his IG Story to address a nightclub moment where an artist tried to gift him a painting of his daughters, which he declined. The rapper explained that he’s not comfortable with men discussing or creating artwork of his daughters. (🎥: – instagram.com

April 5, 2026

#PressPlay: #DaBaby took to his IG Story to address a nightclub moment where an artist tried to...

Jean-Michel Basquiat, Pez Dispenser, 1984. Acrylic and oil stick on canvas, 72 x 48 inches. Made possible by Kenneth C. Griffin Collection. Photo: Silvia Ros. Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. – FAD Magazine

April 3, 2026

Jean-Michel Basquiat, Pez Dispenser, 1984. Acrylic and oil stick on canvas, 72 x 48 inches. Made...

© 2024, My Art Investor, All Rights Reserved.

  • Contact
  • Privacy Policy
  • Terms and Conditions
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art