• Contact
  • Privacy Policy
  • Terms and Conditions
My Art Investor
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art
Artwork

Austin Peay State University Professor Paul Collins’ Animal Artwork Inspires Local Voter Engagement – Clarksville Online

October 27, 2024 4 Mins Read


Austin Peay State University - APSUClarksville, TN – What started as a personal project to combat isolation during the COVID-19 pandemic has become a community tradition thanks to the creative vision of Paul Collins, a professor in the Department of Art + Design at Austin Peay State University (APSU).

Artwork from his “100 Days” initiative, featuring vibrant animal-themed signs encouraging Tennesseans to vote, can now be spotted across Clarksville, Nashville, and the surrounding areas through Election Day – and community members can message him on Instagram @votesignpainter to request their own.

“I think the essential life of the project was that people started asking me for the signs, and it became more of a social thing,” Collins said. “As an artist you hope to find something that generates energy out in the world and takes on a life of its own, so that was really humbling.”



The First 100 Days

A shark-themed vote sign created as part of Paul Collins’ “100 Days” series at the intersection of Nashville’s Granny White Pike and Gale Lane. (Contributed photo)
A shark-themed vote sign created as part of Paul Collins’ “100 Days” series at the intersection of Nashville’s Granny White Pike and Gale Lane. (Contributed photo)

Collins began his journey 100 days before the 2020 presidential election, with the goal of creating a sign each day until the polls closed.

“The first one was a cardinal because it’s such an eye-catching messenger in the wintertime,” he said. “The leaves are gone, the plants are down, it’s gray and white, and you’ve got this fat-bellied red bird zooming across your vision. Nothing draws my attention like a cardinal, so that was the first sign and the one I painted the most throughout this process.”

One by one, these colorful animal ambassadors began appearing in public spaces and sparking conversations within the community.





“Animals can’t vote, so to me, the message is more like ‘Why wouldn’t you vote?’ or ‘I think you need to vote,’” he said. “They’re helpless in that regard, and it changes the temperature of the messaging around elections to involve animals. I mean, who doesn’t like a catfish?”
 
It wasn’t long before people began asking Collins for signs of their own, and he was happy to oblige.
 
“I feel very lucky to be doing this,” he said. “I’m giving out a lot of signs to people who make requests and meeting them on my front porch. It’s really nice to get to know new people and hear that they’re thankful and excited about this.”
 
Collins has also organized community giveaways at galleries and parks, and hosted a paint-your-own sign event at his studio to give people firsthand experience with the artwork.

The Creative Process

One of Paul Collins’ signature cardinal vote signs in the process of being created. (Contributed photo)
One of Paul Collins’ signature cardinal vote signs in the process of being created. (Contributed photo)

Designing each sign involves cutting, sanding wood, and painting before staking or hanging it – but the process still gives Collins plenty of freedom for creative expression.

“It gives the animal figures a sort of animated, herky-jerky motion that helps the bunnies to jump and the fish to swim,” he said. “I love the process of cutting wood, but I spend most of the time painting and figuring out the unique colors, attitudes, and personalities of these characters.”



This year, Collins also worked with several local artists on a limited run of vote signs. His collaborators included Karen Seapker, Becca Jane Koehler, Alana Gordon, Marlos E’van, and Alex Blau.

“Everybody has their own hand, artistic taste, and style, and you’ll see signs being made that aren’t like anything I’d do,” he said. “It’s really exciting to share the studio space … I hadn’t realized that this was a solitary project for the vast majority of the time, so to have other people in here working with me was a lot of fun.”

From Personal Project to Public Tradition

further develop the vote sign initiative into a collaborative community effort.

“I don’t see this as an art project anymore; I think this is a tradition, and if I could bring more voices into it, that would be amazing.” he said. “I’ll be delighted to do this at the midterms and going forward. I love making hundreds of colorful sculptures, and the fact that people want them makes me happy too.”

Whatever the future holds, Collins remains focused on the signs’ core mission: encouraging more people to exercise their right to vote.

“When we talk about people who aren’t voting, I bet you we know them – I bet you we’re related to them,” he said. “I want to encourage people to talk to their families and those closest to them about voting. However they’re going to vote, it’s important for them to get out there and do their civic duty.”





Source link

Share Article

Other Articles

Previous

The Beatles: Artists invited to design landmark sculpture tribute

Next

Labour should ‘invest big’ in arts and culture projects, says top economist | Autumn budget 2024

Next
October 27, 2024

Labour should ‘invest big’ in arts and culture projects, says top economist | Autumn budget 2024

Previous
October 27, 2024

The Beatles: Artists invited to design landmark sculpture tribute

No Comment! Be the first one.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recent Posts

Artist Wallace Woo Formally Defines "Geological Abstractionism" and "Stalactite Aesthetics" Through New Global Manifesto #WallaceWoo #StalactiteAesthetics #GeologicalAbstractionism #innerGeology #ContemporaryArt #AbstractExpressionism #ISBN9789 – Media OutReach Newswire
April 10, 2026

Artist Wallace Woo Formally Defines “Geological Abstractionism” and “Stalactite...

The true cost of owning a priceless painting- The Week
April 10, 2026

More than a decade ago, in my first full-time role working on an exhibition dedicated to Raja Ravi...

“The story he’s never told — the band, the fame, the heartbreak, the healing. And yes, the astrology”: Tears For Fears’ Roland Orzabal writes his first-ever autobiography and it's an astrological memoir – MusicRadar
April 9, 2026

“The story he’s never told — the band, the fame, the heartbreak, the healing. And yes, the...

"There was an old fella who screamed that we'd been sent by Oliver Cromwell. He jumped on the bonnet of the car and tried to boot the windscreen to pieces." Not everyone was pleased to see The Rolling Stones on their first Irish tour – Louder
April 9, 2026

“There was an old fella who screamed that we’d been sent by Oliver Cromwell. He jumped...

“He struck it big, and we were all green with envy. It was terrible: we fell out for about six months. It was ‘He’s doing much better than I am.’”: When T. Rex opened the floodgates of glam rock with the riff-driven groove of Get It On – MusicRadar
April 9, 2026

“He struck it big, and we were all green with envy. It was terrible: we fell out for about six...

Related Posts

Artist Wallace Woo Formally Defines "Geological Abstractionism" and "Stalactite Aesthetics" Through New Global Manifesto #WallaceWoo #StalactiteAesthetics #GeologicalAbstractionism #innerGeology #ContemporaryArt #AbstractExpressionism #ISBN9789 – Media OutReach Newswire

April 10, 2026

Artist Wallace Woo Formally Defines “Geological Abstractionism” and “Stalactite...

#PressPlay: #DaBaby took to his IG Story to address a nightclub moment where an artist tried to gift him a painting of his daughters, which he declined. The rapper explained that he’s not comfortable with men discussing or creating artwork of his daughters. (🎥: – instagram.com

April 5, 2026

#PressPlay: #DaBaby took to his IG Story to address a nightclub moment where an artist tried to...

Jean-Michel Basquiat, Pez Dispenser, 1984. Acrylic and oil stick on canvas, 72 x 48 inches. Made possible by Kenneth C. Griffin Collection. Photo: Silvia Ros. Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. – FAD Magazine

April 3, 2026

Jean-Michel Basquiat, Pez Dispenser, 1984. Acrylic and oil stick on canvas, 72 x 48 inches. Made...

Our favourite Easter eggs in theatre show artwork

April 3, 2026

Kit Kat Club logo, Frozen logo, Cats logo As it’s Easter, we thought we would have a little fun...

© 2024, My Art Investor, All Rights Reserved.

  • Contact
  • Privacy Policy
  • Terms and Conditions
  • Home
  • Art Investing
  • Art Investments
  • Art Investor
  • Artists
  • Artwork
  • Fine Art
  • Invest in Fine Art